Former NBA champion Glen “Big Baby” Davis has officially been released from federal prison. ​According to The Athletic, Davis was released after serving 17 months of a 40-month sentence following his conviction for his role in a scheme to defraud the NBA’s Health and Welfare Benefit Plan. ​Upon his release, the former Celtics big man shared a video on social media with a characteristic “I’m back, baby” message. While his time behind bars is over, Davis will now transition to a Long Beach Residential Reentry Management Office, aka a New York halfway house, until July 9, 2026. His stay will include “financial management classes and drug treatment.” He will also serve three years of supervised release. Several NBA players were indicted in the scheme Along with Davis, several other former players were charged under the federal indictment. Darius Miles, Milt Palacio, Eddie Robinson, Ruben Patterson, Antoine Wright, Jamario Moon, Christopher Douglas-Roberts, Charles Watson Jr., Anthony Wroten, Alan Anderson, and Gregory Smith. Former New Jersey Nets player Terrence Williams, who prosecutors claim came up with the scam, was sentenced to 10 years in prison in 2023. After a standout collegiate tenure at LSU, Davis was the 2006 SEC Player of the Year. He led the Tigers to the Final Four, and Davis was selected 35th overall in the 2007 NBA Draft. He immediately traded to the Boston Celtics, where he became a major contributor. Davis helped the legendary “Big Three” era secure the 2008 NBA Championship in his rookie season. Following four seasons in Boston, he signed a significant deal with the Orlando Magic. In Orlando, he reached his statistical peak. He averaged a career-high 15.1 points and 7.2 rebounds during the 2012–13 season. Davis finished his NBA career with the Los Angeles Clippers. He retired with career averages of 8.0 points and 4.4 rebounds across 514 regular-season games. ​

Finesse2Tymes has publicly criticized his deal with Mob Ties, calling it the “worst deal I ever signed” and comparing his experience to modern-day slavery. In a video shared on social media, the rapper expressed frustration over opportunities denied to him and the talent he feels is being wasted. “I should’ve just went to Atlantic by myself. Why is it motherfckers that ain’t got no hits, ain’t accomplished nothing, how the fck are they getting in these rooms I ain’t getting in. I got gold plaques and sh*t… All this talent is just going to waste. At this point, this is slavery. Let me out. Let me go. I don’t wanna do the album no more,” he said, voicing his growing disillusionment with the music industry. Finesse2Tymes has achieved commercial success over the years, including his 2022 single “Back End,” which earned RIAA gold certification. When DJ Akademiks shared the video on Instagram, the rapper responded in the comments, clarifying his stance. “I ain’t looking for not sympathy u live and u learn but I pictured a life wayyy better than this. It is what it is. We live and we learn,” he wrote, highlighting both his disappointment and pragmatic outlook. Fans Celebrate Finesse2Tymes’ Independence Fans quickly rallied behind the rapper, praising his candor and independence. “He showing all the artist why it’s important to stay independent it might take a little longer but at least it’ll be worth it,” one supporter commented. Another added, “Say what you want, but finesse really can rap. They really wasting his talent.” These reactions underline a broader conversation in the music industry about creative freedom and contractual limitations. Finesse2Tymes’ reflections serve as a reminder of the challenges artists face when navigating labels, while his closing words—“We live and we learn”—capture both the frustration and resilience that often define the modern hip-hop landscape.

Snoop Dogg’s stake in Swansea City is more than an investment—it’s a vision to reshape a working-class Welsh city into a European entertainment hub. The 54-year-old rapper holds a minority share in the championship club. He has laid out a decade-long strategy to make that vision real. His ambitions stretch far beyond the pitch. They encompass world-class hotels, high-end dining, live performance venues, and a 20,000-seat stadium aimed at drawing global talent. “I got the connections to get the best chefs,” Snoop told the Mirror. “I got connections with businessmen who can finance world class hotels and clubs.” For Snoop, the initiative reflects both his celebrity leverage and his seasoned business acumen. It also builds on years of success across music, sports, and media. Swansea offers unique advantages for this kind of development. The city has solid infrastructure, a growing digital economy, and regulations favorable to entertainment projects. Wales has quietly nurtured its gaming and hospitality industries. Moreover, Swansea, with its stadium and passionate fan base, sits at the center of that opportunity. Snoop’s involvement adds a layer of star power and network connections. This could accelerate the city’s transformation. Snoop Dogg’s Swansea Play: Sports, Media, and City Revamp This isn’t a vanity play. Snoop has a track record in sports ownership and media ventures, producing content and negotiating deals across platforms. Swansea fits into a broader portfolio strategy. It is one that aims to create sustainable revenue streams in entertainment, hospitality, and sports simultaneously. The first phase of development is scheduled to begin this summer, signaling the start of an ambitious new chapter for Swansea. If the plan unfolds as envisioned, the city could emerge as a bold example of celebrity-driven urban revitalization. Snoop Dogg would be at the helm.

Jamie Foxx showed love to Michael B. Jordan after the actor took home the Best Actor in a Leading Role award at the 2026 Oscars for his performance in Sinners. During Jordan’s acceptance speech he thanked those who came before him. “I stand here because of the people that came before me: Sidney Poitier, Denzel Washington, Halle Berry, Jamie Foxx, Forest Whitaker and Will Smith,” he said in his speech. “To be amongst those giants, amongst those giants, amongst those greats, amongst my ancestors, amongst my guys. Thank you everybody in this room and everybody at home for supporting me over my career. I feel it.” He continued: “Everybody at home who supported Sinners, who went to go see the movie one, two, three, four, five times, thank you, because you guys made this movie what it is. I love you.” Jamie Foxx took to Instagram to show the actor some love following the win. “I can barely breathe right now… you were absolutely incredible in this film. An amazing actor, an amazing director — truly all of the above. Tonight we celebrate you: your talent, your mystique, and your incredible passion for the craft.” “Honestly, you deserve two Oscars for this one. When I sat down to watch the movie, I already knew it was going to be special the moment I saw a pair of Jordans on screen. Then the first line — “Are you guys twins?” and you hit us with, “No… we cousins!” — man, I was locked in from there.” “Congratulations, my brother @michaelbjordan You’re operating in rare air right now. Celebrate it to the fullest… and trust me, the after-party is going to be crazy..” View this post on Instagram

Jack Harlow’s return after a three-year break is testing both expectations and patience. The Louisville rapper has stepped away from the pop-rap sound that initially propelled him into mainstream success. He is diving instead into the moody, intimate currents of neo-soul and R&B. His new album, Monica, embraces this sonic shift fully. While some longtime fans are unsettled by the change, Harlow seems committed to following his own artistic instincts. Ahead of the release, Harlow appeared on The New York Times podcast Popcast, joining hosts Jon Caramanica and Joe Coscarelli to reflect on his career path. He noted that, unlike some of his white contemporaries, he “didn’t fall into that safer landing spot that a lot of my white contemporaries have found.” While he did not name names, listeners inferred he was alluding to artists like MGK and Post Malone. These artists have explored genres traditionally associated with white audiences, including punk and country. “I think I love Black music. I love the sound of Black music… Of course, it appealed to me to do something that I felt like, at a time when there’s plenty of people expecting me to take some of the routes that y’all are taking, to take the route that not only might not be expected but is also the one I genuinely want to take. So, all the stars aligned in that way for me, to be honest,” Harlow explained. Viral jokes meet a bold new sound: Harlow’s latest moves The comments quickly sparked a mix of critique and playful ridicule online. On X, users created inventive nicknames for Harlow, twisting iconic Black artists’ names into “whiter” versions, according to Bossip. Examples include Charlie Kirk Franklin, Brian McWhite, Stevie Wonderbread, J’Nilla, Arnold Kelly, and Mos Definitely Not Yakub Kweli. Harlow has not publicly responded, though his laid-back personality suggests he may simply let the jokes slide. Monica, released on March 13—coincidentally Harlow’s 28th birthday—is a nine-track project with no guest appearances. Its stripped-down approach reflects a personal and deliberate pivot. This pivot challenges listeners’ expectations and highlights Harlow’s evolving artistic voice. Whether fans embrace this new direction or push back, it marks a defining moment in his career.

The latest round of exchanges between Young Buck and 50 Cent unfolded this week on social media, where long-running tensions between the two artists resurfaced. Over the past several weeks, 50 Cent has posted a string of taunts aimed at multiple rivals, including T.I. and Maino. Young Buck responded with a video message circulating online, pushing back at the commentary and challenging his former G-Unit associate to appear publicly in his neighborhood without security. The remarks quickly gained traction among fans who follow the artists’ ongoing disputes. In the clip, Buck dismissed the online ridicule and framed his response as a challenge rather than an extended argument. “When n****s started trolling, I do sht that a na wish he could do. Walk through your neighborhood,” he said before continuing, “Walk through your hood first. You wanna play all these gay ass jokes and sh*t. Walk through your neighborhood and let’s see how the folks treat you with no security… I ain’t got nothing to say to you. I’m getting money in my hood. You ain’t even funny no more. We all know you’re a joke.” The comments circulated widely across hip-hop pages and discussion forums. 50 Cent later reposted the video to his Instagram account, adding his own commentary beneath the clip. “Look at this punk ass we know you like them boys BUCK. Brorilla like the girls, that’s a better fit around here PUNK! You in your hood because, you broke boy.” Fellow G-Unit member Tony Yayo also weighed in through the comments section, writing simply, “We be in Southside all the time.” 50 Cent’s Feuds With Maino and T.I. Spill Across Social Media The exchange is only one thread in a broader stretch of online conflicts involving 50 Cent. In recent days he has also traded remarks with Maino after criticism from the Let’s Rap About It podcast regarding his Netflix documentary project Sean Combs: The Reckoning. The dispute escalated when Maino released the diss track “Bleed Like Us” last week. Another parallel disagreement has involved T.I. and members of his family. During an appearance on Million Dollaz Worth of Game, T.I. suggested that a potential Verzuz matchup with 50 Cent never materialized because of the latter’s reluctance. 50 Cent later responded through a series of posts aimed at T.I. and his relatives. As these exchanges continue to play out online, the episode reflects how modern hip-hop rivalries increasingly unfold on social media rather than solely through music.

During her latest stop on her Little Miss Drama Tour, Cardi B offered more insight into the alleged bomb threat that led to her postponing a show in Indianapolis years prior. Over the weekend, while performing at the city’s Gainbridge Fieldhouse, the rapper took a moment to remind the crowd of the frightening encounter. According to Cardi’s recollection, the threat came just moments before she was slated to perform. While she can laugh at it now, the rapper admits that at the time she was very frightened. “They sent a terroristic threat! They said they was gonna bomb our show,” Cardi told the crowd. “I was like, ‘Hold on, muthaf*ckers. They want to bomb me?’ B*tch, I was scared! And everybody online was cursing me out, saying that I was lying and sh*t. But I would never do that to y’all. I would never cancel on y’all. But safety first, muthaf*ckers!” CARDI B tells Indianapolis citizens a joke about a bomb threat stopping her from performing there once before pic.twitter.com/tTPLeMXvnD — everybody seems so famous (@itsnaldo_) March 15, 2026 Cardi B Praises Minneapolis Protesters During Concert: ‘Thank You For Your Resilience’ In other news, during her tour stop in Minneapolis, Cardi B made a point to applaud those in the crowd who participated in the anti-ICE protests earlier this year. For several weeks, the organization violently occupied the city, leading to multiple raids, as well as the deaths of several individuals, including Renee Good and Alex Pretti. “You are such a strong city, ” Cardi said to the crowd. “I been seeing what’s going on in the news, and we wanna say thank you for your resilience [and] your resistance.” As the crowd roared, Cardi continued, “I don’t know why muthaf*ckas came to this city. Y’all n*ggas is not p*ssy. I don’t know why they came over here, they must not know how y’all give it up.” According to FOX9 in Minneapolis, at the height of “Operation Metro Surge,” at least 4,000 federal officers were deployed to the city. Following backlash from residents and multiple protests across the country, thousands of agents were withdrawn; now only a “small force” of around 400 agents remains.

Fat Joe has joined several other rappers—Killer Mike, T.I., N.O.R.E, Young Thug, and Travis Scott—in a petition to halt the execution of a Texas rapper named James Broadnax. In 2009, Broadnax was sentenced to death for two murders that happened a year prior. The crux of the case rested on 40 pages of the defendant’s handwritten rap lyrics. However, according to Broadnax’s fellow rap peers, his sentence is “unconstitutional.” Fat Joe recently chatted with CBS News about why he decided to be part of the fight. “I just happen to know that hip-hop music comes from a place of creativity and imagination,” Fat Joe tells the outlet. “…There’s nowhere on earth that the stuff that we write is actually real.” In his opinion, rap lyrics are no different from books or movies. “So to see someone go to trial with the lyrics they used on songs that came from their imagination to be used against them is a crime in itself.” “We have to definitely take care of our freedom of speech,” Fat Joe Says “We have to definitely take care of our freedom of speech, our freedom of expression, and our freedom of imagination,” Fat Joe added. One of the interviewers noted that murder-mystery writers don’t face the same scrutiny as rappers when it comes to their content—a sentiment to which the rapper agreed. Another reporter noted that Fat Joe, himself, admitted telling falsehoods in his lyrics; however, the rapper just defines it as being “creative.” He adds, “The music talks to you. It’s hard for someone who doesn’t make music to understand this. The beats tell you what to write—sometimes it’s happy stuff, sometimes it’s depressing stuff, [or] sometimes it’s party stuff.” The rapper argues that you cannot hold a person accountable for rap lyrics in the court of law. “I do believe that the prosecutors and the judges know that this is unfair as well.” Fat Joe says he and the other artists mentioned aren’t just fighting for Broadnax, but all cases like his.

A viral clip of entertainer Teyana Taylor shouting at an unknown individual circulated on social media following the 98th Oscar Awards ceremony. The award-winning actress would address the viral confrontation with TMZ immediately. Cast members and film executives moved toward the stage for the customary Best Picture celebration photo. Taylor, who attended the ceremony with the cast of the upcoming film One Battle After Another, attempted to return to the stage alongside Pam Abdy of Warner Bros. Pictures. “It’s all good,” Taylor told the TMZ reporter asking about the viral incident. “They can’t stop shine. Everybody’s having a good time. Security was just doing a lot.” To Taylor, the confrontation was nothing out of the ordinary. She added, “It’s always that one, but I’m fine, I’m happy… I mean, it’s nothing to wonder. First thing people do is make assumptions. At the end of the day, I don’t tolerate disrespect. Especially when it’s unwarranted and unprovoked.” Witnesses inside the theater say a security guard blocked the staircase leading to the stage. The guard reportedly stepped in front of Taylor and Abdy as they tried to approach the platform. According to observers, the guard used his body to stop them from moving forward. The moment escalated when he allegedly placed his hands on Taylor while pushing her away from the steps. Actress Teyana Taylor Explains Confrontation With Security At The 98th Oscar Awards Video recorded inside the venue captured the actress confronting the guard immediately. Guests nearby turned toward the commotion as the exchange unfolded. “Don’t put your hands on a woman,” Taylor said during the confrontation, her voice carrying across the crowded area. Moments later, she addressed the people standing nearby and described what had happened. “He literally shoved me,” Taylor said while pointing toward the guard. Witnesses say the guard continued enforcing stage access rules during the heated exchange. At one point, he reportedly asked Taylor to apologize while attempting to maintain control of the staircase. The disagreement quickly drew attention from guests, production staff, and other security personnel stationed around the stage. The situation eventually cooled before escalating further. Still, the confrontation created an uncomfortable scene during the final moments of Hollywood’s biggest night. Taylor attended the ceremony as part of the ensemble behind One Battle After Another. The project is expected to generate award conversations in the coming year. For a brief moment, however, the focus shifted away from celebration and toward questions about backstage security and respect inside one of entertainment’s most prestigious events. The Oscars have not commented on Taylor’s confrontation with security at this time.

Singer, actress, and creative director Teyana Taylor found herself trending online after a tense moment on the red carpet at the Academy Awards. During the star-studded arrivals outside the Dolby Theatre in Los Angeles, Taylor appeared to get into a heated exchange while walking the carpet. Cameras captured the Harlem native pausing mid-appearance and turning toward someone off camera, where she appeared visibly frustrated while speaking intensely during the brief interaction. While it remains unclear exactly what prompted the confrontation, clips from the moment quickly began circulating online. In the viral clips you hear T.T. saying,  “cause you’re a man putting your hands on a female. You’re very rude.” She then said to someone else, “he literally shoved me.” According to TMZ, sources say as Teyana was making her way back to the stage alongside Pam Abdi, a security guard allegedly attempted to stop them from going up the stairs, resulting in the confrontation. View this post on Instagram Despite the brief tension, Taylor continued with her red carpet appearance, posing for photos and interacting with reporters shortly afterward. “One Battle After Another,” in which Teyanna starred in, won the final Oscar of the night for Best Picture.