Big Boi is revisiting one of the more revealing chapters in Outkast’s early grind. In a new episode of Conversate With Killer Mike, the Atlanta legend broke down a moment from the mid-’90s that still lingers in his memory — a night when Outkast and Wu-Tang Clan shared a bill in Chicago, and a sudden sound outage left the Southern duo questioning whether the love in the room was real. The story surfaced after Cutmaster Swiff, Outkast’s longtime DJ, spoke on the uneasy energy the group often felt as the lone Southern act on national lineups. Swiff said they were always placed in the same hotels as the East Coast crews, surrounded by support that didn’t always feel authentic. That “fake love,” as he described it, set the stage for Big Boi’s recollection. “I remember when we used to do a lot of shows with Wu-Tang,” Big Boi said. “We was closing. And when we got to perform, them n***as pulled the plugs on the speaker or something like that… We thought they did. Fucked our sound up.” Big Boi admitted the proof wasn’t concrete, but the timing felt intentional. “I’m pretty sure it was them,” he added. Outkast’s Big Boi Remembers Wu-Tang Clan Pulled The Plug On Their Shows Big Boi addressed that this happened long before Outkast and Wu-Tang built their later chemistry, years before their 1998 collaboration “Skew It On The Bar-B.” At the time, the South was still fighting for space on national stages, often met with skepticism from East Coast gatekeepers. Even with the audio issues, Outkast refused to fold. Big Boi said the duo kept the show alive, but backstage, the team wrestled with what went down. “We thought that was neutral ground,” he said of the Chicago stop. “Like, na please, clink. Pull the plug on them nas, ain’t no more show.” Still, Big Boi pushed back against framing the moment as a full-on beef. He explained that things were never openly hostile between the two groups. “It was always love,” he said, though he admitted certain moments felt “subliminal” and made them question how deep that love really went. Big Boi’s story reflects the environment in which Outkast came up. A period when the South was still fighting to be taken seriously. While sharing stages with groups they would eventually call brothers. It’s a reminder of how much work Outkast put in to earn respect, city by city, co-headline by co-headline.

Diddy’s official intake photo has emerged online.  CBS News reported that the photograph was taken while the disgraced mogul is serving his 50-month jail sentence. He will serve out his time at the Federal Correctional Institution (FCI) Fort Dix in New Jersey. Currently, there are over 4,100 inmates at FCI Fort Dix. According to prison documents, Diddy works in the chapel as an assistant. The job is considered one of the best assignments at Fort Dix. Diddy is responsible for the chaplain’s religious library, cleaning offices, and assisting with record-keeping.  View this post on Instagram “He works in the chapel library, where he describes the environment as warm, respectful, and rewarding,” said Diddy’s publicist, Juda Engelmayer. Diddy receives perks from his gig, such as working in a private office with air conditioning. He is also enrolled in an intensive drug treatment program.  Since he’s been at Fort Dix, Diddy was also the subject of disciplinary action for an unauthorized phone call. The incident occurred a few days after he was transferred to the facility in New Jersey. Diddy told officials it “was a conversation with his legal team about issuing a statement to The New York Times.” Per the Bureau of Prisons, inmates are prohibited from adding multiple people to a call. Also, they can only speak to people on prison phones from “previously approved call lists.” In October, Diddy was sentenced to serve four years and two months behind bars after he was found guilty on two counts of transportation to engage in prostitution. Diddy was also ordered to pay the court a fine of $500,000. He must also participate in programs for his mental health and substance abuse issues. The 55-year-old Bad Boy Records founder was convicted under the Mann Act. While jurors acquitted Diddy of more serious charges, the guilty verdict on two counts of transportation secured the prison sentence.

Lil Uzi Vert is facing a wave of legal trouble after keeping a relatively low profile for most of 2025. The Philadelphia rapper is now dealing with two lawsuits that surfaced within just a few days. One of them is a major copyright case filed by Rochester artist Rief Rawyal, who is demanding 110 million dollars in damages. According to court documents, Rawyal claims Lil Uzi Vert’s 2022 hit “Just Wanna Rock” copied key elements from his song “Pain and Pleasure,” which was released a few months earlier. He says Uzi “copied the original hook, melody, and theme” and even took inspiration from the chant “When I rock ah ah.” A forensic musicologist, Brian McBrearty, analyzed both tracks and reportedly found a 93 to 97 percent similarity. His study found that the tempo, rhythm, structure, and lyrical phrasing around the word “rock” were nearly identical. Rawyal’s lawsuit also points out that both songs share the same tempo range, drum pattern, and syncopation style known as “tresillo.” The lyrics in each record also follow a similar pattern, using first-person, present-tense statements that end with the word “rock.” These similarities, the lawsuit argues, make it clear that “Just Wanna Rock” was not an original creation. In addition to the musical claims, Rawyal alleges that his social media posts about “Pain and Pleasure” were muted or taken down around the same time Uzi’s track began to go viral. He believes Uzi and Atlantic Records had access to his music through his previous collaboration with Lanre Gaba, an executive at the label. Rawyal says this connection created a direct path for his material to reach Uzi’s team. The suit names Lil Uzi Vert, Atlantic Records, Generation Now, Roc Nation, and Warner Music Group as defendants. Rawyal is asking for publishing credit, shared ownership of the song, and compensation for lost revenue and reputation.

Air travel across the United States is facing mounting disruptions as the government shutdown stretches into its second month. 50 Cent took to social media on Sunday to vent frustration over the growing chaos. Even traveling by private jet, 50 Cent encountered significant delays at an airport overwhelmed by cancellations and staffing shortages. In an Instagram video, he said, “They just said that they’re not even letting the jets go.” On X (formerly Twitter), 50 Cent warned followers, “Man the airport is f*cked up. Forget about traveling right now! Unless you’re driving, all roads lead to Shreveport.” His posts included footage of the chaotic terminal, closing with a blunt advisory: “You can’t try to fly regular.” Man the airport is fvcked up, forget about traveling right now! Unless you driving all roads lead to Shreveport. https://t.co/WtNREs32V0 pic.twitter.com/Wn5XZpraeT — 50cent (@50cent) November 10, 2025 What’s Driving the Delays Airports nationwide are struggling to maintain operations as the shutdown compounds staffing challenges. NBC News reported that more than 7,200 flights were delayed and roughly 2,200 canceled as of Sunday. 50 Cent was part of the turmoil stemming largely from a shortage of air traffic controllers, many of whom have gone unpaid for two months. To ease the strain, the Federal Aviation Administration (FAA) has implemented a 10% reduction in flights at several high-traffic airports. Transportation Secretary Sean Duffy said last week, “This is about identifying where the pressure points are and how we can relieve them.” Speaking with Fox News on Thursday, he cautioned that disruptions could intensify as the holiday season approaches. Even celebrities like 50 Cent are not immune to these delays. “If we remain in this shutdown posture as we approach Thanksgiving, I anticipate it could be especially challenging,” Duffy said. “While we will work to mitigate safety concerns, the likelihood of flights departing on schedule remains uncertain, and continued disruptions are imminent.”

R&B star Omarion has spoken out after fellow singer Mario made headlines for critiquing his vocals as “hit or miss.” The comment came during Mario’s recent appearance on the Funky Friday Podcast, where the “Let Me Love You” singer was asked about Omarion’s artistry. “Omarion, it be hit or miss for me sometimes,” Mario said, sparking conversation among fans about the two singers’ long-running professional tension. During an interview with Sway Calloway, Omarion responded to the remarks, calling the conversation “wild” and stressing the importance of respect among artists. “It’s not by chance,” Omarion said. “It’s by hard work. I’ve been doing this a long time. For me, it’s all about respect — especially from someone who came after me.” When asked if he would ever collaborate with Mario following the comments, Omarion made it clear he’s not interested. “I’d rather step back,” he admitted. “I don’t think there’s respect there.” View this post on Instagram This isn’t the first time the two have been compared. Omarion and Mario infamously battled in 2022’s VERZUZ, where their vocal performances became a major talking point online. “I’ve worked hard for my name and my career,” Omarion emphasized. “Everyone’s entitled to their opinion, but there’s a way to do it with respect.”

In a scene where sports, music, and redemption intertwined, Harlem rapper Max B shared a heartfelt reunion with Method Man during the New York Jets’ recent victory over the Cleveland Browns. The Wu-Tang Clan legend captured the energy of the moment as fans cheered, marking a vibrant snapshot of joy and renewal. In a playful exchange caught on camera, Max B greeted Method Man with humor and warmth. “Get me a job!” he called out, jokingly asking for photography work as the two embraced amid the roar of the crowd. Joined by longtime collaborator French Montana, Max appeared fully immersed in the celebration—a moment that felt both lighthearted and deeply symbolic. Later, in a short interview with The People Gallery, Max B spoke candidly about his gratitude and sense of peace. “I’m feeling righteous,” he said. “Feeling good. I’m grateful. I’m thankful. God is good.” Offering style advice to fans, he added, “Listen, man, just be yourself… Buy what you can afford, wear what you like. If it looks good on you, own it!” Max B returns, free and wavy When asked about his favorite film, Max B named New Jack City without hesitation, before joking that his favorite song was “my favorite.” He encouraged aspiring artists to connect with him, saying, “Listen, anybody that can keep up with the boss don or anyone who’s an A-lister—look me up! I’ll help you get right; I’ll get you wavy.” This public outing carried extra weight given Max B’s recent return home after spending more than 15 years behind bars. Initially sentenced to 75 years in 2009, he accepted a reduced 20-year plea deal for aggravated manslaughter in 2016 and was officially released earlier this year. French Montana marked the milestone with a heartfelt message: “CANT MAKE THIS UP! MY BROTHER REALLY CAME HOME ON MY B DAY! HAMDULILLAH WALKED IT DOWN! NO MORE FREE YOU.” The Jets secured a 27-20 win that day, pushing their record to 2-7 as the team continues to navigate midseason roster changes involving standouts Sauce Gardner and Quinnen Williams. For Max B, the day represented far more than a football victory—it was a celebration of freedom, friendship, and the resilience that continues to define both his story and his sound.

Billboard is unveiling its much-anticipated list of the top 25 songwriters of the 21st century, releasing names gradually throughout the week. Jay-Z claims the 25th spot, cementing his legacy as one of music’s most influential figures. The countdown began Monday with the first five names, with additional announcements expected in the coming days. Following Jay-Z, the list features notable talents, including Kanye West, Sean Garrett, Fergie, and Jermaine Dupri. Billboard’s methodology focuses on chart performance, highlighting songwriters who have led the Hot 100 with the most number-one hits since 2000. Each individual on the list has achieved at least six chart-topping singles between January 1, 2000, and December 28, 2024. The top eight songwriters have reached double-digit number-one hits, reflecting both commercial success and sustained cultural influence over the first 25 years of the century. As a songwriter, Jay-Z has claimed six number-one hits on the Hot 100. Among his most notable contributions is Beyoncé’s 2003 hit “Baby Boy,” featuring Sean Paul, which stayed atop the chart for nine consecutive weeks. Social media reactions to the rankings have been mixed. One X user (formerly Twitter) argued, “He gave Rihanna a career and hits, so he actually deserves a higher spot.” Another fan praised his enduring influence: “Consistent impact for two decades, that’s legendary.” A Star-Studded Celebration The Billboard announcement coincided with Jay-Z and Beyoncé attending Kris Jenner’s extravagant 70th birthday over the weekend. TMZ reports indicate that the couple arrived discreetly, avoiding paparazzi attention and using a high-priority parking spot. The celebration took place at the Beverly Hills home of Jeff Bezos and Lauren Sanchez, drawing an A-list crowd including Chris Rock, Oprah Winfrey, Tyler Perry, Mariah Carey, Mark Zuckerberg, and Paris Hilton. Jenner’s six children—Kim, Kourtney, Khloé, Rob, Kylie, and Kendall—were also in attendance to honor their mother’s milestone.

Beyoncé’s BeyGood Foundation partnered with WalkGood LA, a Los Angeles-based nonprofit, to raise nearly $150,000 for its Jamaica Hurricane Relief Fund. The event, BreatheGood, took place on Nov.2, with hundreds of Los Angeles residents gathering for a day of wellness at Kenneth Hahn Park. Along with participating in guided meditations and yoga sessions, there was also a wellness center on-site. WalkGood LA hosts several health and wellness events throughout the year across the city and in its wellness studio, The WalkGood Yard. This BreatheGood affair was one of the organization’s last events for 2025. The organization’s co-founder, Etienne Maurice, spoke with USC Annenberg Media about the collaboration and the “deep meaning” it carried. “It’s special because we’re collaborating with BeyGOOD, founded by Beyoncé — and today’s proceeds are going toward our WalkGood Jamaica Hurricane Relief Fund,” they said. View this post on Instagram “It shows the power of community and people’s willingness to help,” Maurice added. “Because we’re of Jamaican heritage, it was imperative for us to step up — to acknowledge those affected and remind them they’re not alone.” Allana Barefield, Digital Editorial Content Manager for BeyGOOD, was present at the event and said to the crowd, “Beyoncé is so much more than her artistry. Her heart is in giving back. Today we invited our fire-relief grantees and small-business partners to be part of this moment because being good means uplifting those around you.” When Beyoncé’s not saving the world, she’s making history. Back in August, she was ranked the sixth top producer of the 21st Century, according to  Billboard. The ranking was part of the outlet’s “Top Producers of the 21st Century on the Hot 100” list. According to the publication,” before Beyoncé became a solo juggernaut, she was already helping shape the Destiny’s Child sound away from the mic.” 

Ahead of her forthcoming album, Summer Walker has partnered with YouTube to help promote the project. For her next promotional act, she hit the road with a dump truck in tow. The singer shared the moment on her Instagram Saturday (Nov. 8), posting a flyer for the “Finally Over It Dump Truck Service” tour, which was held at Morehouse College in Atlanta. While there, fans were given the opportunity to toss any unwanted items from an ex. “The Finally Over It Dump Truck will be riding all around Atlanta tomorrow picking up your exes trash,” Walker wrote. “I’m personally stopping at Morehouse campus from 12-2pm to help the Spelman & Clark girls throw his shit away…All gently used items will be donated to charity. See you there.” The “Heart Of A Woman” singer shared another post, in which she’s spotted rocking a sexy sanitation worker costume as she prepares to meet with fans. After the event, Summer later hosted an escape room-themed album listening party, where she got to get close and personal with fans. View this post on Instagram Summer Walker Reveals ‘Finally Over It’ Will Be A Two-Part Album Last month, Summer Walker confirmed that the next installment of her Over It series will be two parts—each with its own vinyl cover. The singer shared the announcement on Oct. 24 via her Instagram page—the album, which is expected to drop on Nov. 14, offers an interesting twist on the wedding vow, “For Better or For Worse.” Throughout the collage post, Walker takes fans through the journey that inspired this next chapter in her life and music. “For Better is about choosing me, fully and finally. I’ve made choices that didn’t always make sense to anyone else, but I don’t regret any of them. They all taught me something,” Walker wrote. “Every heartbreak brought me back to myself. I’m not looking for someone to complete me; I’m already whole. I’m protecting my peace, honoring my worth, and sitting in a softness that’s still strong.”  Regarding the project’s B-Side, “For Worse,” Walker refers to it not being “bitter,” but “honest.” She continued: “I’ve loved too hard, ignored red flags, and tried to fix things that were beyond repair. The difference now is I love myself that deeply, I’ve grown, I’ve healed, and I refuse to accept anything less than princess treatment.” 

Rod Wave was arrested in Fulton County, Georgia, on several charges that included possession of a firearm or knife during the commission of a felony, reckless driving, and possession of controlled substances. According to TMZ, authorities have confirmed that he was taken into custody by the Atlanta Police Department and later appeared before a judge, where his bond was set at eight thousand dollars. His legal team, made up of attorneys Drew Findling, Marissa Goldberg, and Zack Findling, released a statement defending the rapper, claiming he was “unjustly profiled and unlawfully arrested in Atlanta.” They also alleged that the officer responsible for the arrest is part of the Atlanta Police Department’s Crime Suppression Unit, which they described as a group focused on meeting arrest quotas rather than genuine community safety. “This quota-driven approach,” they said, “completely undermines true justice as well as trust in the community.” The arrest comes amid a complicated legal history for the “Leavin” artist. Earlier this year, Rod was accused of firing a gun at his Atlanta-area home during an argument with real estate agents, which reportedly violated a prior bond order from a 2020 case. His attorneys at the time said those charges were “meritless” and that he was being unfairly targeted. In the past few years, the rapper has also faced separate incidents in Florida and Georgia involving firearm and assault allegations, some of which were later dropped. Despite the ongoing court battles, Rod Wave’s music career continues to thrive. On the same day as his arrest, he earned his first Grammy nomination for Best Song Written for Visual Media. His lawyers say they look forward to proving his innocence and exposing what they call clear violations of his rights in court.