Devale and Khadeen Ellis joined Nessa for a real talk on marriage, parenting four boys, and why they rebranded their show to Ellis Ever After. They get into keeping intimacy and friendship when schedules are packed, setting boundaries with social media, handling public feedback after a viral monogamy debate, and how they decide what to share about their family. They also open up about grief, communication rules that stop arguments from spiraling, and the moment they almost ended the podcast—plus why they chose to keep going. They share lessons from losing everything in 2008 and rebuilding together, raising emotionally aware sons who get a say in what’s posted, and what they learned co-producing Othello on Broadway with Denzel Washington and Jake Gyllenhaal. Devale talks growth from the NFL to acting, Khadeen breaks down building a character from the ground up, and together they explain the “we over me” mindset, love languages, and how they reset when they hit a rut. Listen to their podcast, Ellis Ever After, out now.

Usher stepped out of the spotlight and into dad mode for Instagram’s new Carversations series — and the debut episode is already stirring buzz. The R&B icon appeared alongside his teenage sons, Cinco and Naviyd, for an unusually candid conversation about life online, fame, and the pressures that come with their last name. The episode, which premiered December 11, features the trio talking inside a car — the show’s gimmick meant to help kids open up without direct eye contact. Usher’s sons didn’t hold back about the nonstop scrutiny they face on social media. They spoke about online comments, peer pressure, and the constant push to look “perfect,” especially as the children of a superstar. Usher listened closely and told them that “authenticity matters far more than approval,” urging them to use the internet as a tool, not a scoreboard. Usher Speaks On What Life Would Be Like If He Had Social Media As A Kid The 45-year-old megastar also reflected on his own early years and admitted the digital age could have altered his entire career path. “If Instagram was around when I was trying to get signed,” he told his sons, “things would have been very different.” He recalled endless auditions, closed doors, and the struggle to get discovered before eventually landing with L.A. Reid. Today, he noted, “young artists can share their talent instantly.” Carversations marks a softer turn for the singer who dominated the late ’90s and 2000s with No. 1 hits like “Nice & Slow,” “U Got It Bad,” and the record-breaking Confessions album, which has sold more than 15 million copies. Yet the episode’s appeal has little to do with platinum stats. Fans tuned in to see how one of music’s most celebrated performers navigates parenting in an era defined by filters, algorithms, and cyber-pressure. Cinco and Naviyd, whom he shares with ex-wife Tameka Foster, appeared relaxed and playful as they traded stories about what they see online. Usher stayed patient, calm, and protective — a far cry from his onstage swagger. The conversation offered a rare glimpse of the singer not as a superstar, but as a father trying to guide two teenagers through a world he never had to grow up in. For many viewers, that’s the real headline: even Usher can’t escape the challenges of raising kids in the age of Instagram.

Singer and streamer Jourdin Pauline made a shocking claim in her latest stream that popular streamer Tylil allegedly sexually assaulted her after the Streamer Awards. Released on December 11, Pauline’s clip has drawn significant public scrutiny, though authorities have not announced any formal charges. Pauline provided an expanded account during an emotional livestream that has since circulated widely. She alleged that the incident occurred in a private area at a Streamer Awards after-party and said she felt isolated, had her phone taken, and was recorded while distressed. “I feel so used. Am literally so upset. I am embarrassed. I am disgusted. Tired,” she said. BREAKING: streamer and artist Jourdin Pauline just exposed that Tylil of the Clover boys allegedly SA’d her, and that Tylil and “others” are allegedly trying to blackmail her. She broke down crying on her stream telling the news pic.twitter.com/oJWUzKhlgF — ManuWay (@ManuWayy) December 11, 2025 Pauline also displayed call logs and stated that she had contacted law enforcement. Police have not filed charges but have confirmed communication with Pauline during the preliminary review. Tylil issued a categorical denial shortly after the allegation became public. In an Instagram statement, he wrote, “I would like to make it clear that I have never sexually assaulted anyone.” He later reiterated that position during a livestream, telling viewers he would not discuss the matter further and urging them not to seek additional “responses” or “drama.” He added, “It’s Christmas. It’s a wonderful time of the year. Go be with y’all families… kick it.” Jourdin Pauline Alleges Tylil Sexually Assaulted Her, Tylil Denies His remarks functioned as both a denial and an attempt to slow the rapid spread of commentary across social platforms. The allegation generated swift and polarized reactions online. Supporters amplified her claims through the hashtag #JusticeForJourdin, calling for an independent review and greater transparency. As of this week, the matter remains unresolved. Both parties have maintained their positions, and investigators have not indicated when a charging decision may be made. Pauline’s stream continues to command attention across social media as platforms grapple with the potential legal and cultural implications of real-time public allegations.

21 Savage claims there is hope that his longtime collaborators Metro Boomin and Drake may eventually work together again. Savage revealed the steps that have been taken to make this happen while promoting his upcoming album. 21 Savage offered new insight into the strained relationship between Drizzy and Metro during his December 11 appearance on Perspektives. He suggested that Young Thug isn’t the only rapper trying to broker peace between the former collaborators. In his discussion with host Big Bank, 21 described a behind-the-scenes effort to mend a rift that disrupted one of hip-hop’s most reliable creative pairings. Big Bank and 21 Savage have been friends since before the rap star pursued a music career. “Metro felt a certain type of way about something,” 21 said, acknowledging the disagreement without elaborating on the specific catalyst. The tension, he suggested, was significant enough to halt a partnership responsible for some of the most influential chart-topping records of the past decade. Still, he emphasized that Drake responded to the situation with accountability rather than defensiveness. “Drake told me and Metro that he understood where he was wrong,” 21 said, characterizing the acknowledgment as sincere. He noted that Drake repeatedly attempted to repair the relationship. “He apologized multiple times,” he continued, describing the gesture as an effort rooted in respect rather than obligation. 21 Savage Says Drake Has Apologized To Metro Boomin Multiple Times According to 21, those apologies helped build bridges to future possibilities. 21 Savage’s upcoming album will include Drake and Metro Boomin on it. The shift, he said, is already visible. “Now, Metro is kind of more open minded,” 21 explained. Suggesting that the producer’s posture has changed in the months following the initial fallout. While he stopped short of declaring a full reconciliation, he suggested that the pathway toward renewed collaboration is no longer obstructed. That measured optimism shapes 21’s broader outlook. “I feel like in the future, the near future, we’ll see them work together again,” he said. A reunion between Drake and Metro would hold significant weight within the industry, given their history of shaping radio and streaming trends through high-profile releases. Their split had generated widespread speculation among fans and industry observers, who questioned whether the rift was permanent. For 21 Savage, the evolution of the situation underscores the role of communication and accountability in resolving creative conflicts. In a genre where public disputes often escalate and linger, his comments suggested that even fractured partnerships can find a path forward. And if his prediction holds, Drake and Metro Boomin may enter a new phase of collaboration sooner than expected.

Drake collaborator 21 Savage broke down his shared advice to the 6 God before heading into the 2024 rap battle against Kendrick Lamar during his anticipated sit-down interview on Perspektives with Big Bank, released on December 11. The “Savage Mode” hitmaker opened up about why he originally told Drake — the most-streamed rapper on the planet — to fall back when Kendrick Lamar pressed the gas in their 2024 feud. Kendrick fired the first shot in the Metro Boomin and Future track, “Like That.” For 21, the issue was never about bars. It was about the impossible expectations tied to being the genre’s top dog. “When you’re the number one n*gga, where does winning put you?” 21 said, laying out the logic he shared with Drake as the battle heated up. 21 Savage speaks about the Drake and Kendrick Lamar beef, revealing that he told Drake not to respond because he would lose regardless “when you’re the number one n*gga, where does winning put you? you can’t go number 1.1…. this sh*t rigged man, even if Drake won he wouldve… pic.twitter.com/GoZtHPYGQS — SOUND | Victor Baez (@itsavibe) December 12, 2025 He argued that Drake’s position at hip-hop’s summit erased any real upside. “You can’t go number 1.1,” he added, saying that no matter how sharp Drake’s responses were, the public was never going to give him credit for landing punches from the throne. To 21, the whole thing felt predetermined before the first diss even dropped. “This sh*t rigged, man,” he said, pointing to the way fans and critics shaped the narrative long before the two megastars traded blows. Kendrick’s attacks hit hard, but 21 said the larger culture tilted the ring against Drake from the jump. 21 Savage Reveals What He Told Drake Before Battle With Kendrick Lamar “Even if Drake won,” he continued, “he would’ve been the bad guy for winning.” The way 21 sees it, the crowd wasn’t watching the fight — it was waiting for an upset. He said fans treated Drake like the unbeatable final boss and wanted to see someone crack his armor. “Motherf*ckers wanted Drake to lose anyway,” he said, suggesting that the reaction had more to do with storyline cravings than lyrical dominance. For 21 Savage, the battle turned into a referendum on fame, legacy, and perception. Drake stepping into a lyrical war with Kendrick wasn’t just a clash of pens. It was a collision of mythologies, with the deck stacked against the artist sitting at No. 1. By the time the feud reached its peak, 21 said the outcome felt prewritten — not because of the bars exchanged, but because of the story the culture had already decided it wanted to tell.

Nicki Minaj used a recent Twitter Spaces session to address the backlash over her political remarks, a recurring point of tension between the rapper and parts of her fanbase. Days earlier, she set off a fresh round of debate after posting “Trumps > Chumps” on Twitter/X alongside a photo of 50 Cent. The message spread quickly across social platforms, sparking commentary far outside her usual online orbit. Even Vice President JD Vance entered the conversation, adding, “Nicki > Cardi.” The reaction among Minaj’s supporters was immediate and split, prompting her to speak directly to fans during the livestream. She made clear she wasn’t trying to shape anyone’s politics or personal choices. “Let me make this very clear, I don’t give a f*ck,” she said, according to Bo Loudon. She told listeners that the changes in their own lives happened without her direction. “Pink lady ain’t up in your business, pink lady loves you for you. Pink lady doesn’t tell you what to think, pink lady loves you in spite of what you think.” BREAKING: Queen of Rap @NICKIMINAJ just told her anti-Trump fans she still “loves” them “in spite of what [they] think.” God bless Nicki for not caving and continuing to support President Trump! pic.twitter.com/EAUvUdQ7Ud — Bo Loudon (@BoLoudon) December 11, 2025 Past Political Commentary Minaj’s political commentary has repeatedly stirred debate. Last month, she shared a TikTok video from The White House that highlighted what it framed as accomplishments of the Trump administration, including statements such as “No men in women’s sports” and “Gas prices are low.” The post added to an already heated discussion among her followers. Shortly before that, she reacted to a clip of former President Trump and First Lady Melania with a playful message: “The President & First Lady of the UNITED STATES OF AMERICA!!!!!!!!!!!!!!!!!!!!!!!!!!! Barbz, idk which one of you uploaded this to the white house TikTok but just know unlimited backstage GAG CITY FOR LIFE. Idk what timeline we’re on right now, I’m just goin w|the flow.” Minaj’s blunt approach to politics continues to divide her audience, ensuring every comment draws both applause and criticism. Her voice remains a potent force at the intersection of celebrity and political culture, and the conversations she sparks show little sign of quieting anytime soon.

Michael Oberlies, Sean “Diddy” Combs’ longtime personal videographer, has addressed the swirling rumors surrounding Netflix’s Sean Combs: The Reckoning. Produced by 50 Cent, the four-part series has captured widespread attention. It features interviews with figures from Diddy’s past, including members of his inner circle and alleged victims. It also includes previously unreleased footage of the music mogul speaking with his attorney, Marc Agnifilo, shortly before his arrest. The appearance of this unseen material prompted speculation about its origins. Some suggest it arose from a “fee dispute or contract issue.” Oberlies, however, clarified that the controversy occurred during his temporary absence from work. He emphasized that it was not tied to any contractual disagreement. Speaking to Rolling Stone, Oberlies said, “For over two years, we have been diligently compiling a project centered around Sean ‘Diddy’ Combs. The footage in question was not authorized by me or anyone within the rightful channels handling his material. It was instead shared through a third party who temporarily filled in for me while I was out of state. This incident is unrelated to any alleged contract issues or payment disputes. The behavior of those involved reflects poorly on the standard of integrity that every storyteller should uphold. Utilizing footage meant for our project to forge an agenda outside our own signifies not just ethical breaches but also a disregard for our essential narrative.” Diddy’s Reaction to the Docuseries After the series debuted, Diddy’s team publicly criticized the production, calling it a “shameful hit piece.” They emphasized that the footage had never been authorized for public release. They also stressed Diddy’s years of careful work to preserve his own narrative. The statement framed Netflix’s use of the material as unfair and unlawful, portraying it as a violation of his intellectual property rights. Netflix, for its part, defended the series. They asserted that all footage was obtained legally and that standard industry practices were followed throughout production.

The arrival of 50 Cent’s Netflix docuseries Sean Combs: The Reckoning has triggered an unexpected resurgence in both his own catalog and Diddy’s decades-long musical footprint. The four-part series, released earlier this month, has found a wide audience. With it, there is a notable rise in listeners revisiting 50 Cent’s early work. Data from Hip Hop All Day shows that December 9 became the most streamed day of 50 Cent’s career. His music tallied 11.3 million plays across major platforms. His breakthrough album Get Rich or Die Tryin’ drove much of that traffic, reaching its highest daily total in years. The surge offers a clear illustration. A widely viewed documentary can rekindle interest in an artist’s past work. It can also reshape listening patterns almost overnight. Online reactions captured the shift in real time. One fan remarked, “Haha that documentary coming in clutch,” while another speculated that the renewed attention might be an unwelcome development for Diddy, considering the documentary’s focus. For 50 Cent, the moment adds to a long-running pattern of blending media projects with broader cultural conversations. 50 Cent earned his BIGGEST streaming day of all-time on Spotify on December 9th, with 11.3M streams across all credits ‘Get Rich Or Die Tryin’ also reached a new all time peak of daily streams. pic.twitter.com/bRoiVeypvP — Hip Hop All Day (@HipHopAllDay) December 10, 2025 Diddy Pushes Back In the days after the docuseries premiered, Diddy’s legal team issued a forceful response. They accused the filmmakers of misrepresentation and called the project a “shameful hit piece.” A representative for Combs insisted that he has spent years gathering footage to tell his story on his own terms. They argued that Netflix relied on material he never cleared for release. 50 Cent has rejected the idea that he shaped the documentary with personal motives. In an interview with GQ, he said, “There’s no place for me, I didn’t make the docuseries. I got the best possible people to make one.” He added that had he wanted to steer the narrative, he “would have been more focused” on Combs’ ongoing legal troubles. Appearing on Sherri Shepherd’s daytime show, 50 Cent hinted that even more footage exists. These clips, he suggested, could shed new light on past figures within New York hip-hop and potentially on Diddy himself. Whether that material ever comes to light is unknown. However, the suggestion has already deepened the public debate surrounding the documentary and its impact.

Miguel’s return to the spotlight with his new album Caos marks the end of an eight-year stretch without a full-length release, but he’s already setting his sights on what comes next. The singer revealed in a recent Genius interview that another completed album is sitting in the vault, and he believes it surpasses the one he just dropped. When asked whether fans should expect another long pause between albums, he responded immediately: “No.” He went on to share that the unreleased music is “better” than Caos, and that if he had the power to move freely, fans would already have a release date. “If it was up to me, I’d put another album out before the tour starts,” he explained. However, Miguel says label restrictions are holding everything up. Because of contractual terms with RCA Records, he isn’t allowed to release new music until late next year. Although he acknowledges there are people at RCA who “understand and want to do the right thing,” he believes the structure of his current deal is fundamentally flawed. “I would sooner release it independently than to allow them to pick up the deal without it being a fair deal,” he said. “And it’s not a fair deal, and I’m happy to go on record about that.” For Miguel, the conflict is part of a broader industry pattern he no longer wants to accommodate. He has ownership of his intellectual property, and the next phase of his career, he says, needs to be centered on independence. “There’s absolutely things that need to happen that I would prefer to happen as an independent artist,” he added. Looking ahead, he hopes to use the next decade to uplift other creatives. “My next 10 [years] is me really taking what I’ve learned and hopefully educating and stewarding other artists,” he said. Releasing Caos after so many years stirred emotions he hadn’t expected. “It’s been such a long time since I put music out that I forgot how you can never explain or expect all of the emotion,” he shared. The response from his peers has been overwhelming. “I’ve gotten more notes about this album … than I’ve ever gotten for any of my projects,” he said. “It’s been really, really dope, and it’s a really endearing and reassuring thing.”

Michael B. Jordan is shifting gears creatively these days, but while directing has taken over most of his schedule, it’s also made him reflect on what he wants beyond his career. In a new conversation with David Letterman for the upcoming season of My Next Guest Needs No Introduction with David Letterman, the actor talked about how predictable his routine has become during this phase of his life. “My life is boring,” he joked, explaining that the demands of directing tend to keep him locked into long stretches of work with very little room for spontaneity. Letterman teased him in return, saying that if Jordan thinks his world is dull, he should “follow me around,” before sharing the everyday rhythms of his own married life—errands, dogs, grocery runs, even a mission to buy celery. Jordan laughed at the comparison but admitted that the workload leaves limited space for anything outside of film. Even so, he revealed he’s been thinking more about what starting a family might look like. Without rushing into anything, the 38-year-old said he’s considering easing into the idea of fatherhood. He explained it with humor, outlining a personal starter plan before taking that leap. “I figure I got to start off with like plants and dogs,” he said. Building on that thought, he added, “If I can take care of a plant, I can take care of the dog. If the dog’s cool, then I have a shot.” The interview gives fans a candid glimpse of Jordan at a moment where his career is evolving, and he’s imagining long-term life changes beyond the screen. Viewers can catch the full episode when it premieres on Netflix on December 16th.